Her compact, light-filled lounge is not any much less of a visible feast. Wood with Ettore Sottsass’s Mini-Totem No.
For her present exhibition, “Ornate,” at Milan’s Nilufar Gallery, for instance, she drew inspiration from Japanese kimono materials, Victorian boudoirs and the anatomy of bugs, presenting works resembling scalloped aluminum cupboards with skinny curving legs, yellow and inexperienced glass lighting fixtures that evoke laborious candies and an aluminum and brass headboard shaped from a shimmering profusion of gold and purple squiggles. Incorporating references that vary from Modernist Mexican structure to the output of British wooden veneer factories, she creates items, typically produced in collaboration with manufacturers resembling Hermès and Tory Burch, that attain into design historical past and ask questions on globalism and authenticity, whereas additionally conjuring dreamlike new worlds. Indeed, Wood’s work has lengthy explored the emotional efficiency of regional palettes - from the earthy grays of London to the saturated blues of Venice - in addition to the manipulative capability of commercial supplies like laminate which might be designed to mimic others. “It’s the factor I most use as a language.” “I’ve at all times been fascinated by digesting locations by means of coloration,” she says. The partitions are painted in shades of peach, pistachio and mauve, the wooden floors are lined in vibrant geometric rugs and in all places are uncommon objects that Wood has made or collected: Pyrex lamps modeled after floral bouquets a facet desk produced from Play-Doh-like ropes of extruded pastel plastic. And as anybody accustomed to Wood’s Wisteria chandelier (a luminous explosion of hand-dyed PVC petals) or her Super Fake sequence of irregularly formed rugs that riff on the variegated layers of sedimentary rocks may anticipate, her personal 575-square-foot unit is a blinding ode to the hues and textures that energize her.
It’s an apt residence for an artist whose observe facilities on the creation of wildly colourful furnishings, lighting, homewares and textiles. The British designer Bethan Laura Wood’s residence is on the second ground of a 1925 Art Deco constructing in East London that has powder pink stairwells, mint inexperienced window frames and child blue accents.
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